On April 8, at our Spring Revel, we’ll honor Frederick Seidel with the Hadada Award. In the weeks leading up the Revel, we’re looking back at the work Seidel has published in The Paris Review throughout his career.

Photo: Shreyas Joshi, via Wikimedia Commons

“Flame” appeared in our Spring 1981 issue, which included stories by Faulkner, Carver, and Gass; poems by Amiri Baraka and Maxine Kumin, both of whom died earlier this year; and an interview with Rebecca West.

With its images of fireflies, moonlight, and waves, the poem finds Seidel at his most earnest; a muted sadness, almost romantic, permeates “Flame,” which is devoid of the wry, lacerating ironies that usually mark his work. And it finishes with one of the most quietly perceptive descriptions of, well, a flamethat I can remembering encountering. Here, best to read it for yourself; the poem is more beautiful than any writing about it will be.

The honey, the humming of a million bees,
In the middle of Florence pining for Paris;
The whining trembling the cars and trucks hum
Crossing the metal matting of Brooklyn Bridge
When you stand below it on the Brooklyn side—
High above you, the harp, the cathedral, the hive—
In the middle of Florence. Florence in flames.
Like waking from a fever … it is evening.
Fireflies breathe in the gardens on Bellosguardo.
And then the moon steps from the cypresses and
A wave of feeling breaks, phosphorescent—
Moonlight, a wave hushing on a beach.
In the dark, a flame goes out. And then
The afterimage of a flame goes out.

Buy your ticket to the Revel here.